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In the original Tomb Raider, the protagonist Lara Croft existed as little more than eye-candy to titillate the presumably male gamer, who donned a variety of costumes designed to put emphasis on her sexuality and little else. In the upcoming game, Rise of the Tomb Raider, Lara Croft must cope with the reality of post-traumatic stress disorder through therapy. Lara is challenged by a host of ordeals throughout her adventures on the island of Yamatai and emerges a survivor. The sequences in which the player assumes the role of Ciri, the game's main female character, villains call her a litany of gendered slurs, just as they call the game's male protagonist Geralt a "freak" for being a Witcher and a mutant. In the original The Witcher, players collected a series of cards with lewdly drawn art for having sex with female characters throughout the course of the game.
Like real life, there are no clean solutions to many of these problems and the choices the player makes can leave one questioning whether they did the right thing, many hours after playing a session of the game. Instead of eschewing such ugly portrayals of bigotry, The Witcher 3 challenges players to tackle these bigots head on and gives the player the opportunity to cut their heads off and set things right. Much has changed since then, with the new Tomb Raider approaching tough issues like sexual assault and approaching them in a way that is not demeaning to survivors. In the upcoming game, Rise of the Tomb Raider, Lara Croft must cope with the reality of post-traumatic stress disorder through therapy. In the original Tomb Raider, the protagonist Lara Croft existed as little more than eye-candy to titillate the presumably male gamer, who donned a variety of costumes designed to put emphasis on her sexuality and little else. Throughout the story, both Geralt and Ciri encounter a host of moral quandaries that players must then decide on how to solve. There are acts of kindness and there are acts of selfishness; there are heroic redemptions and tales of extreme woes. In order to grow as a medium and artform, games need to take more risks and ultimately these two games are a step in the right direction. In this, The Witcher 3 is no different from how Tomb Raider allows Lara Croft to defend herself in the now infamous sexual assault scene. The world of The Witcher 3 may have ghouls and wraiths and a host of other monsters, but it's also designed to be a realistic mirror to our own world, where prejudice and bigotry relating to genders and races exists. The other women in the game, including Triss and Yennefer, are no less capable in their own ways as powerful sorceresses. If anything, this speaks to the power of gaming as a form of art and experience, as it lets people experience different realities with different outcomes rather than being taken on a ride through a linear, predetermined narrative. Much like The Witcher 3, the book offers a look at inequality through the lens of fiction—where the game does different, however, is it lets players actually fight to overcome these antiquated and troublesome realities. The sequences in which the player assumes the role of Ciri, the game's main female character, villains call her a litany of gendered slurs, just as they call the game's male protagonist Geralt a "freak" for being a Witcher and a mutant. Some newer games have been labeled as regressive merely for the crime of having regressive elements. Regressive elements have their place in fiction; artists like the developers at CD Projekt RED and Rhianna Pratchett are capable of weaving compelling narratives that invite players to critically examine and even challenge these issues. To reiterate, there are just no easy solutions. Fury Road is an endorsement of misogyny. Throughout The Witcher 3, characters give the player agency to act against bigotry and injustice. Brigands, taking advantage of the turmoil and the war between Nilfgaard and the Northern states, conduct wicked acts and subject the local populace to their brand of oppression. As Geralt, the player must decide whether to turn the drunk in to face justice or cover up for him. In the original The Witcher, players collected a series of cards with lewdly drawn art for having sex with female characters throughout the course of the game. At no point does the game ever tell you that Ciri is anything but a capable fighter whose strength and fighting ability are even superior to that of her mentor, Geralt. It would be disingenuous for The Witcher 3 to do otherwise. The game also provides a commentary on the horrors of war, damning those who glorify it with the inclusion of war orphans, civilian casualties and ravaged countrysides. These elements are facets of the game's internal consistency, which itself is based upon a series of books that depict the world in very much a similar manner.
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